Tracing the four days from the moment she gets the call that every immigrant fears to the burial of her mother, Elizabeth Nunez tells the haunting story of her lifelong struggle to cope with the consequences of the “sterner stuff” of her parents’ ambitions for their children and her mother’s seemingly unbreakable conviction that displays of affection are not for everyday use.
But Nunez sympathizes with her parents, whose happiness is constrained by the oppressive strictures of colonialism, by the Catholic Church’s prohibition of artificial birth control which her mother obeys, terrified by the threat of eternal damnation (her mother gets pregnant fourteen times: nine live births and five miscarriages which almost kill her), and by what Malcolm Gladwell refers to as the “privilege of skin color” in his mother’s Caribbean island homeland where “the brown-skinned classes…came to fetishize their lightness.”
Still, a fierce love holds this family together, and the passionate, though complex, love Nunez’s parents have for each other will remind readers of the passion between the aging lovers in Gabriel García Márquez’s Love in the Time of Cholera. Written in exquisite prose by a writer the New York Times Book Review calls “a master at pacing and plotting,” Not for Everyday Use is a page-turner that readers will find impossible to put down.
Elizabeth Nunez immigrated to the US from Trinidad after completing high school there. She is the author of eight novels. Boundaries (PEN Oakland Josephine Miles Award and nominated for the 2012 NAACP Image Award for Outstanding Literary Fiction); Anna In-Between (long-listed for an IMPAC Dublin International Award and starred reviews from Publishers Weekly, Booklist, and Library Journal ); Prospero’s Daughter (2010 Trinidad and Tobago One Book, One Community selection; New York Times Book Review Editors’ Choice, 2006 Florida Center for the Literary Arts One Book, One Community selection, and 2006 Novel of the Year for Black Issues Book Review); Bruised Hibiscus (American Book Award); Discretion (short-listed for the Hurston/Wright Legacy Award); Grace; Beyond the Limbo Silence (Independent Publishers Book Award); and When Rocks Dance.
|Elizabeth Nunez at the 2008 Brooklyn Book Festival. (Photo: Wikipedia)|
Most of Nunez’s novels have also been published as audio books, and two are in translation, in Spanish and German. Nunez has also written several monographs of literary criticism published in scholarly journals, and is co-editor of the anthology, Blue Latitudes: Caribbean Woman Writers at Home and Abroad.
Nunez was co-founder of the National Black Writers Conference, which she directed for eighteen years with grants from the National Endowment for the Humanities, the Reed Foundation and the Nathan Cummings Foundation. She was executive producer for the 2004 Emmy nominated CUNY TV series, Black Writers in America. Her awards include 2013 National Council for Research on Women Outstanding Trailblazer Award; 2013 Caribbean American Distinguished Writer Award; 2012 Trinidad and Tobago Lifetime Literary Award; 2011 Barnes and Noble Poets and Writers, Writers for Writers Award.
Nunez is a member of several boards, including the Center for Fiction, and CUNY TV. She is a judge for several national and international literary awards, including the Dublin IMPAC International Literary Award, and gives readings of her work across the country and abroad. Nunez received her PhD in English from New York University. She is a Distinguished Professor at Hunter College, the City University of New York, where she teaches creative writing, fiction.